The Blazing World
On sale
2nd March 2015
Price: £9.99
Kirkus Fiction Prize, 2014
Selected:
Paperback / ISBN-13: 9781444779660
LONGLISTED FOR THE BOOKER PRIZE
WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR FICTION
‘Dazzling’ Sunday Times
‘A truly wonderful intellectual work that makes you think and laugh’ Daily Mail
‘Playful, ebullient, brainy’ Financial Times
The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there’s a sting in the tail – when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end.
In this mesmerising tour de force, Burden’s story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.
‘A novel that gloriously lives up to its title, one blazing with energy and thought’ The Times
PRAISE FOR SIRI HUSTVEDT:
‘Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom’ Salman Rushdie
‘One of our finest novelists’ Oliver Sacks
‘Reading a Hustvedt novel is like consuming the best of David Lynch’ Financial Times
‘Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt’ Washington Post
‘A 21st-century Virginia Woolf’ Literary Review
WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR FICTION
‘Dazzling’ Sunday Times
‘A truly wonderful intellectual work that makes you think and laugh’ Daily Mail
‘Playful, ebullient, brainy’ Financial Times
The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there’s a sting in the tail – when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end.
In this mesmerising tour de force, Burden’s story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.
‘A novel that gloriously lives up to its title, one blazing with energy and thought’ The Times
PRAISE FOR SIRI HUSTVEDT:
‘Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom’ Salman Rushdie
‘One of our finest novelists’ Oliver Sacks
‘Reading a Hustvedt novel is like consuming the best of David Lynch’ Financial Times
‘Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt’ Washington Post
‘A 21st-century Virginia Woolf’ Literary Review
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Reviews
Her prose is brilliant, furious, teeming with intelligence and life - an experiment in reception itself.
Harry is a lovable, maddening whirlwind . . . The fury is brilliantly done, and so is the love affair Harry embarks on with a fat failed poet . . . Hustvedt writes with a cool precision that can give her work a blistering power . . . The Blazing World is a dazzling novel, the kind that makes you cry (or nearly cry) as well as think.
I have told nearly everyone I love - and some random acquaintances - to stop whatever they are doing and read [Hustvedt's] new novel . . . The Blazing World is the playful, ebullient, brainy story of Harriet "Harry" Burden, an artist in her early sixties . . . The book is clearly a feminist undertaking but joyously, unpredictably so. Hustvedt eschews all feminist cliché. She throws herself into rich ambiguities . . . Hustvedt's novels have always been smart, accomplished, critically acclaimed but this one feels like a departure. There is more heat in it, more wildness; it seems to burst on to a whole other level of achievement and grace . . . the book will blaze through the world.
This novel is like a palimpsest, built from many paper-tissue thin layers, some more transparent than others, and told through many voices, put together so cleverly it is not clear where the lines are between fact and fiction, let alone between the fictions within the fiction . . . Siri Hustvedt has created a complex world of play and interplay. This novel is a puzzle, a mystery, a dance, filled with intrigue, a truly wonderful intellectual work that makes you think and laugh and tickles the brain.
There is a fair amount of anger in the book: feminist anger, but also disdain for journalists, for the art industry, for a gendered world that ignores women like Harriet and rewards men like her husband . . . It might have become shrill in the hands of a lesser writer. As it is, it is at once a story of a privileged Upper East type who bleeds the wounds of Western liberal feminism, and also the universal, deeply affecting story of overshadowed women who are made - or make themselves - small, however big their ambition . . . The Blazing World is a profound and deeply serious book on many levels, but it is most entertaining in its critique of the New York art scene - its vanities, double standards, blind-spots . . . [A novel of] immense soulfulness and wisdom
The richness and playfulness of the novel is down to the way it is structured . . . What is remarkable is the way Hustvedt manages to take her range of intellectual interests and this ostensibly complex format and forge a gripping narrative.
Hustvedt offers a slickly written multiplicity of perspectives . . . The Blazing World ramps up thrillingly as it becomes apparent that Harriet's final collaboration has taken a sinister turn . . . Densely brilliant, but terrifyingly clever . . . But you don't need a PhD in Kierkegaard to enjoy Hustvedt's writing, and it's a pleasure to feel your brain whirring as it forges links and finds the cracks across differing accounts . . . Hustvedt's text is carefully, impressively constructed: she's as convincing in each fictional voice as Harriet is in her masks.
It is an exuberantly clever piece of work. Fascinated by disguise, play-acting and ventriloquism, it lures its readers into a maze of characters, viewpoints and apparently persuasive arguments - then insists, refreshingly, that they think their way out . . . There's a central mystery to unravel in The Blazing World, but its real pleasures come from Hustvedt's startling talent for voice and register . . . the narrative becomes a brilliant catfight of dogmas and orthodoxies . . . a novel that gloriously lives up to its title, one blazing with energy and thought.
Both intellectually and emotionally gripping . . . the generosity of the storytelling leads to full and often affecting backstories for all the main characters . . . [it] feels like one of those novels in which a well-established author triumphantly sums up, and possibly even surpasses, everything they've done before.
Even by Siri Hustvedt's extremely high standards, The Blazing World is an extraordinary book . . . Hustvedt juggles the many voices and many truths masterfully, drawing the reader into an intricate and a puzzling web . . . The precision of the language makes each detail jewel-like and tangible.