Stop Me If You’ve Heard This One
On sale
18th March 2025
Price: £20
FOR ANYONE WHO’S EVER BEEN CALLED FUNNY AS AN INSULT
From the New York Times bestselling author of Mostly Dead Things, a sparkling and funny new novel of entertainment, ambition, art, and love.
Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers.
Things start looking up when Cherry meets Margot the Magnificent – a much older lesbian magician – who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act – and what kind of clown she wants to be under her suit.
Equal parts bravado, tenderness and humour, and bursting with misfits, magicians and mimes, Stop Me If You’ve Heard This One is a masterpiece of comedic fiction that asks big questions about art and performance, friendship and community, and the importance of timing in jokes and in life.
From the New York Times bestselling author of Mostly Dead Things, a sparkling and funny new novel of entertainment, ambition, art, and love.
Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers.
Things start looking up when Cherry meets Margot the Magnificent – a much older lesbian magician – who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act – and what kind of clown she wants to be under her suit.
Equal parts bravado, tenderness and humour, and bursting with misfits, magicians and mimes, Stop Me If You’ve Heard This One is a masterpiece of comedic fiction that asks big questions about art and performance, friendship and community, and the importance of timing in jokes and in life.
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Reviews
'This is a hilarious and ingenious novel for anyone who's ever felt like a misfit'
'Though the novel dips into the absurd, Arnett grounds the characters and relationships beautifully through her signature style of humor and heart. Her writing is particularly strong when exploring the ways we show up for ourselves and our communities-as well as the sacrifices we should and shouldn't make for our art. A funny and tender novel about life's best and worst punchlines'
'A tender and funny novel about getting unstuck in making art and living life'
'Is there any more brilliant and singular talent than Kristen Arnett? I cried laughing and ached at the zeniths of tenderness its tragicomic brilliance achieves. This may be the best book I've ever read'
'Brilliant on the relationship between comedy and suffering, and on the bravado and vulnerability of performance...A dazzling, sexy, and hilarious triumph'
'One of the funniest books I've ever read'
'[Kristen Arnett] really outdid herself this time, and Stop Me If You've Heard This One is a certified banger. Can't wait to force it into the hands of everyone I ever meet'
'This book seems destined to be known as "the sexy clown novel," but it's so much more than that. To be sure, the links that Arnett draws between clowning as an art form and queerness as an identity are strong: Some people will innately dislike you because of the way you move through the world, and the trick is to avoid them. The heart of this novel is the conflicted and unyielding stance of its protagonist, Cherry, who turns to clowning to try to hang on to the memory of her brother after he passes and soon learns more than she could have hoped for from an older woman with experience in the genre. This novel is sweet, sexy, sad, articulate, and funny'
'Arnett paints an irresistible portrait of the artist as a clown... despite, or perhaps due to, its absurdity and bittersweet undertones, Cherry's story makes a powerful case for pursuing one's art authentically and fearlessly. It's a riot'