Genus
On sale
5th July 2012
Price: £9.99
In the Britain of a few tomorrows time, physical perfection is commonplace and self improvement has become an extinct expression: all the qualities men and women could aspire to can be purchased prior to birth.
GENUS is a time of genetic selection and enrichment – life chances come on a sliding scale according to wealth. For some there is no money or choice, and an underclass has evolved; London’s King’s Cross, or The Kross as it is now known, has become a ghetto for the Unimproved. In The Kross, the natural, the dated, the cheap and the dull, live a brittle and unenviable existence. But unrest is growing; tension is mounting and a murderer is abroad in these dark quarters…
Acclaimed author Jonathan Trigell’s third novel is a breathtaking tour de force, exploring a dystopia of the not-too-distant-a future which will leave readers wondering not ‘what if’, as the original audience of Huxley’s Brave New World did, but ‘when’.
Praise for Jonathan Trigell:
‘A compelling narrative, a beautifully structured piece of writing, and a thought-provoking novel of ideas. It’s a wonderful debut.’ – Sarah Waters, Chair of the Judges for the John Llewellyn Rhys Prize on Boy A
‘A fine and moving debut novel… compulsively readable… a rare treat’ The Independent on Boy A
‘Does for extreme winter sports what Alex Garland’s The Beach did for backpacking.’ – Financial Times on Cham.
GENUS is a time of genetic selection and enrichment – life chances come on a sliding scale according to wealth. For some there is no money or choice, and an underclass has evolved; London’s King’s Cross, or The Kross as it is now known, has become a ghetto for the Unimproved. In The Kross, the natural, the dated, the cheap and the dull, live a brittle and unenviable existence. But unrest is growing; tension is mounting and a murderer is abroad in these dark quarters…
Acclaimed author Jonathan Trigell’s third novel is a breathtaking tour de force, exploring a dystopia of the not-too-distant-a future which will leave readers wondering not ‘what if’, as the original audience of Huxley’s Brave New World did, but ‘when’.
Praise for Jonathan Trigell:
‘A compelling narrative, a beautifully structured piece of writing, and a thought-provoking novel of ideas. It’s a wonderful debut.’ – Sarah Waters, Chair of the Judges for the John Llewellyn Rhys Prize on Boy A
‘A fine and moving debut novel… compulsively readable… a rare treat’ The Independent on Boy A
‘Does for extreme winter sports what Alex Garland’s The Beach did for backpacking.’ – Financial Times on Cham.
Newsletter Signup
By clicking ‘Sign Up,’ I acknowledge that I have read and agree to Hachette Book Group’s Privacy Policy and Terms of Use
Reviews
Genus is an elegantly written, bleakly exaggerated look between the haves and have-nots. Mr. Trigell uses the bullhorn of science fiction to call out the communal hypocrisy of society. Whatever scientific advance that humanity creates with improvement in mind, Genus argues that we'll never leave our selfish instincts behind.
It is an old saying among science fiction fans that anyone can predict the car, it takes brains to predict gridlock. It is not the gadget that takes foresight, it is the uses people will make of it, and then the unintended consequences of those uses... No one can fault Trigell's ingenuity
Like Trigell's powerful debut, 'Boy A', a sharp analysis of society underpins this novel. Despite being set in the future, or perhaps because of it, Genus is a blazingly good contemporary novel.
No one can fault Trigell's ingenuity.
Like Aldous Huxley and Margaret Atwood, Trigell explores science, medicine, biology, morality, and religion... Genus is a masterful work of dystopian speculative fiction.
the misadventures of the crippled painter, Holman, his former beauty queen mother, Adele Nicole, and the blinded writer, Crick, confirm the promise of Trigell's splendid debut, Boy A.
Trigell's dystopian divided Britain is epically hellish, rendered through the voices of a procession of characters in a heightened prose that intensifies the sense of a decayed, degenerate world about to implode. Although it is science fiction, the world of Genus - where those who can afford it have their children modified before birth - feels as if it might be just around the corner.
Trigell doesn't pretend to have any easy answers, only further and more complicated questions. Is genetic perfection a welcome goal? Are humans meant to be free from pain, illness and suffering? Who and what, exactly, defines a disability?
Confirm(s) the promise of Trigell's splendid debut, Boy A.