Cinema Love
On sale
9th May 2024
Price: £16.99
*Shortlisted for the Andrew Carnegie Medal of Excellence in Fiction and Nonfiction*
A stunning and compelling novel for fans of PACHINKO, BROKEBACK MOUNTAIN, and SHUGGIE BAIN
‘The pages crackle with the tension of a Hollywood thriller . . . an enticing, engaging read’ The Times
‘Cinema Love is not just an extraordinary debut but a future classic’ Jessamine Chan, author of The School for Good Mothers
For over thirty years, Old Second and Bao Mei have cobbled together a meagre existence in New York City’s Chinatown. But unlike other couples, these two share an unusual past. In rural Fuzhou, before they emigrated, they frequented the Workers’ Cinema, where gay men cruised for love.
While classic war films played, Old Second and his fellow countrymen found intimacy in the privacy of the Workers’ Cinema’s screening rooms. Elsewhere, in the box office, Bao Mei sold tickets to closeted men – guarding their secrets and finding her own happiness with the projectionist. But when secrets are unveiled, they set in motion a series of haunting events that propel Old Second and Bao Mei towards an uncertain future in America.
Spanning three timelines – post-socialist China, 1980s Chinatown, and contemporary New York – Cinema Love is a tender epic about men and women who find themselves in forbidden and frustrated relationships as they grapple with the past and their unspoken desires.
‘An ambitious and promising debut’ Irish Times
‘I loved it. Cinema Love fizzes with energy. The characters are rich and warm and the prose is perfect. Jiaming Tang is a remarkable new voice’ Fiona Mozley, author of Booker-shortlisted Elmet
‘A tender and enrapturing feat of storytelling’ Vanessa Chan, author of The Storm We Made
A stunning and compelling novel for fans of PACHINKO, BROKEBACK MOUNTAIN, and SHUGGIE BAIN
‘The pages crackle with the tension of a Hollywood thriller . . . an enticing, engaging read’ The Times
‘Cinema Love is not just an extraordinary debut but a future classic’ Jessamine Chan, author of The School for Good Mothers
For over thirty years, Old Second and Bao Mei have cobbled together a meagre existence in New York City’s Chinatown. But unlike other couples, these two share an unusual past. In rural Fuzhou, before they emigrated, they frequented the Workers’ Cinema, where gay men cruised for love.
While classic war films played, Old Second and his fellow countrymen found intimacy in the privacy of the Workers’ Cinema’s screening rooms. Elsewhere, in the box office, Bao Mei sold tickets to closeted men – guarding their secrets and finding her own happiness with the projectionist. But when secrets are unveiled, they set in motion a series of haunting events that propel Old Second and Bao Mei towards an uncertain future in America.
Spanning three timelines – post-socialist China, 1980s Chinatown, and contemporary New York – Cinema Love is a tender epic about men and women who find themselves in forbidden and frustrated relationships as they grapple with the past and their unspoken desires.
‘An ambitious and promising debut’ Irish Times
‘I loved it. Cinema Love fizzes with energy. The characters are rich and warm and the prose is perfect. Jiaming Tang is a remarkable new voice’ Fiona Mozley, author of Booker-shortlisted Elmet
‘A tender and enrapturing feat of storytelling’ Vanessa Chan, author of The Storm We Made
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Reviews
A staggering feat of storytelling, epic in its reach yet so intimate and nuanced in its ability to break the heart of its reader. Tang honours the many stripes of his characters' journeys with forensic clarity, compassion and authenticity
Cinema Love grasps you tightly in the heart, then does not let go. A tender and enrapturing feat of storytelling, this novel unwraps the brightest and darkest moments of queer love and all its humanity. The stories of the men and women in this book swallowed me whole, and I will never forget them
I loved it. Cinema Love fizzes with energy. The characters are rich and warm and the prose is perfect. Jiaming Tang is a remarkable new voice
Lush, romantic, daring, and filled with indelible characters, Cinema Love is not just an extraordinary debut, but a future classic. In this story of forbidden queer love and the cost of secrets, Jiaming Tang gives voice, humanity, and dignity to people so often rendered invisible by society. Here, Chinese laborers, factory workers, seamstresses, nail technicians, and cooks take glorious center stage, their lives and deepest yearnings made epic. I absolutely loved this book and couldn't stop reading
A beautifully told story about the delicate tension between love and longing, the crisis of loneliness, and the price of regret. With a wise, masterful compassion, Cinema Love announces Jiaming Tang as an essential new voice in literature. I absolutely loved this book
Exceptional, moving, and not to be missed
[Tang] succeeds, by distilling his big themes into small, crystalline moments of humour, infidelity and longing
Gentle and fierce, heartbreaking without sacrificing its sense of humour, Jiaming Tang's Cinema Love perfectly mines the difficult-to-reach space between agony and pleasure. I have never read anything like it . . . Guided through these shadowy and sorrowful places by Tang's plush and vivid prose, I found myself breathless until the very end - and even then barely able to exhale. This is the unforgettable work of a patient master
Gracefully crisscrossing China and New York City's Chinatown, Cinema Love lays bare that which so many of us feel: the struggle against loneliness, attempts to forge a life beyond betrayals large and small, and the fact that liberation for some means loss for others. Featuring characters full of wit, humour, and longing, Jiaming Tang's debut navigates the complexities of intimacy with the utmost care, while also affirming that in order to build a better future, we must first make peace with the past. Hear me now: this is a book that'll stay with you long after the last page
Masterful . . . Cinema Love is a tender, deeply compassionate debut, with characters so vividly drawn they feel alive
This resonant and textured debut traces the secret lives of gay men and their wives in 1980s China and their loneliness in contemporary New York City's Chinatown . . . Tang laces the narrative with Dickensian details of Chinatown's underground economy . . . Tang announces himself as a writer to watch with this unshakable novel
Tang has plenty to say here - with intimacy, sadness, and aging being frequent subjects. The prose moves from omniscient to highly focused with ease . . . A haunting story of shared pasts and troubled memories
Rich in simile and metaphor, Tang's book is beautifully written too. An excellent first novel and a captivating reading experience
The pages crackle with the tension of a Hollywood thriller. There are elements here of Ian McEwan's Atonement and Tom Crewe's The New Life . . . an enticing, engaging read
Moving . . . Part ghost story, part love story, and part tale of hardscrabble immigrant life, this intricately plotted novel asks whether, in the end, it is better to forgive or to forget
This tender, elegant debut from Jiaming Tang follows gay men and their wives from pickups at a 1980s Mawei movie theatre to loss and longing in NYC's Chinatown
Cinema Love is a gripping narrative with sharply drawn characters. Equally important, it is beautifully written . . . Jiaming Tang's first novel is a beautiful meditation on love, loss, and the haunting power of the past
There is much to admire in this intricately plotted novel . . . it's a story with real heart: Tang shows genuine sympathy for each of his flawed characters as he unpicks the moral complexities of their choices
Tang has . . . created a fascinating, rarely revealed world in this well-plotted debut. The book's tender swirl of stories depicting the lives of men and women caught between two lives has its touching moments
The past infiltrates the present like a charm, lending a dreamlike mood to thoughts and experiences
An ambitious and promising debut, and despite his novel's intricate plot and expansive time frame, Tang succeeds in making the story land with the "urgency of a bullet wound"